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25.  Miracles Certify the Marian Apparitions

DR. ALEXIS CARREL, like the rest of the medical faculty at Lyons, had been derisive of the miracles that were happening at Lourdes.  But for a skeptic who was content to remain one, he made a mistake.  His curiosity got the better of him.  He went in person to Lourdes.

      The future winner of the Nobel prize came into Lourdes talking confidently of auto-suggestion as the adequate cause of all these incredible cures.  He attributed their report to a craze of emotionalism.  He would see for himself.  And so, among the new influx of patients brought to the local hospital to be taken in wheelchairs or on stretchers to the basilica, he kept a watchful eye on the one he had made his personal concern.

      She was dying.  Dr. Carrel had no doubt of it.  He had thoroughly examined her at noon, found her in the final stage of tubercular peritonitis, and gave Marie Ferrand at most two days to live.  She was only eighteen years of age.  Her diagnostician felt the pathos of so untimely a blight upon the promise of youth, but what could he do?  The disease must run its course.  No natural remedy against it had been discovered by science.  The iron law of necessity could not be broken in favor of young Marie Ferrand.  The mortuary waited the imminent arrival of her corpse. 

      Then a change of mood, if not of mind, came over the eminent biologist.  He had the temerity to entertain a hope against his own conviction.  It might be called a wish fathering the thought.  Or was it the grace of God working on that desire from his heart?  Anyhow, he expressed it aloud.  He said it firmly: "If she were to be cured I would never doubt again."

      The sequel is well known.  That very afternoon at the basilica his prejudice against miracles met a sudden death.  The girl who was supposed to do the dying did not die.  She instantly recovered her full health.  Dr. Carrel was there on the spot.  He witnessed it: the fulfillment of a hope at the expense of his academic fixation.  His diagnosis had not erred.  A quick grave for Marie Ferrand would have been the sure outcome of the disease—without the miracle.  The diagnostician had only gone wrong in his belief that no superior intervention could do what in fact it did.

      The converted skeptic, who was to write Man the Unknown, would remain true to his word: he would never doubt again.  But before leaving Lourdes, to reassure his confidence in the cure of his hopeless case, he paid her a final visit in the hospital that night.  He put her through an exhaustive medical test.  There was not the faintest trace of a return of the dreadful disease.  Its symptoms were gone, totally.  The miracle had taken hold.  It is uncertain who was the happier, Marie Ferrand who stood by her bed with laughter on her lips, or Alexis Carrel who studied her.  She seemed a radiant embodiment of health to her observer who was not too proud to admit a deep inner urge of joy over his having been proved wrong.  No longer would he scorn the physicians who saw incurable patients cured at the shrine and then signed affidavits to that effect.  He was now one of them.

      His colleagues at the university would not be pleased with his admission.  It would embarrass them.  But he couldn't help that.  It was the truth.  He would declare it so.  He did.  It cost him his membership on the faculty at Lyons.  His unforgiving peers voted him out.

      Their action provokes the question, how could experimentalists who claim an open mind to every fresh bit of evidence do such a thing?  Were they not disclaiming their very claim?  But that didn't bother them, who were enslaved to the prejudice that no possible force beyond nature could interrupt the known laws of nature.  Their proof for it?  They had none.  The evidence was all against the theory.

      One is less inclined to find fault with these untheological experts, who realizes that men who call themselves theologians and are honored as experts in Scripture have equally disallowed the truth of miracles.  Rudolf Bultmann, the form critic, has the audacity in Kerygma and Myth to write: "The miracles of the New Testament have ceased to be miraculous."  The more difficult of them, he thinks science will in due course succeed in explaining away.  He raves on: "It is impossible to use electric light and the wireless and to avail ourselves of modern medical and surgical discoveries and at the same time to believe in the New Testament world of spirits and miracles."  Why so?  He of all infidels should not be so tenaciously certain of it in view of his earlier statement that "conclusive knowledge is impossible in any science and philosophy."  What nonsense!  What confusion!  What outrage!

      Our Lord admittedly found the rejection of His miracles an outrage.  He did not perform them for the purpose of the mere performance.  He expected them to lead to a firm belief in his mission.  "Woe to you, Chorazin! Woe to you, Bethsaida! For if the mighty works done in you had been done in Tyre and Sidon, they would have repented long ago in sackcloth and ashes.  But I tell you, it shall be more tolerable on the day of judgment for Tyre and Sidon than for you.  And you, Capernaum, will you be exalted to heaven?  You shall be brought down to Hades.  For if the mighty works done in you had been done in Sodom, it would have remained until this day.  But I tell you that it shall be more tolerable on the day of judgment for the land of Sodom than for you" (Mt. 11:21-24).

      The three towns stand today in ruins.  Only vestiges of Chorazin and Bethsaida and Capernaum remain to attest their physical doom, the far lesser part of the curse.  The many miracles from Jesus which the inhabitants had witnessed did not open their minds to his unique superiority.  Yet their minds should have opened to it.  Our Lord, in giving the disciples of the Baptist a criterion by which they could know Him to be the Messiah, went right to the point.  "Go and tell John what you have seen and heard: the blind receive their sight, the lame walk, the lepers are cleansed, and the deaf hear, the dead are raised up" (Lk. 7:22).  "These very work which I am doing," he said to the incredulous, "bear me witness that the Father has sent me" (Jn. 5:36).  There is a dreadful finality in his word: "If I had not done among them the works which no one else did, they would not have sin; but now they have seen" (Jn. 15:24).

      Nor does the record pretend to have accounted for all the miracles of Jesus.  But what it does include of them is meant to foster a confident trust in him.  It is meant to prove him the Messiah.  Evangelist John, admitting his omission of many other signs from their Lord "in the presence of the disciples", does not miss the opportunity to add: "but these are written that you may believe that Jesus is the Christ, the Son of God" (Jn. 20:30).

      A miracle, possible only to the Creator of the natural laws, demonstrates his omnipotence.  When Christ rose from the dead, which no man of his own powers had ever done before, he proved himself more than man.  When at his mother's historic shrines he chose to perform a vast variety and a vas number of miracles through her, he was putting his seal of divinity on her apparitions which had taken place there.  He was advertising their importance to the world.

      Medically impossible cures at the Marian shrines require an accountant of angelic knowledge to keep the record accurate and complete.  At Lourdes alone they have reached into the thousands.  But the cures should not be given undue stress.  They must be seen perspective.  Other kinds of miracles distinguish the apparitions.  The story of Fatima has its whirlabout of the sun; the story of Pontmain its message in letters of gold written by no visible hand; the story of Guadalupe its painting which remains after centuries of durability a composite of miracles in one ppiece—and that an unlikely cactus cloth.

      This prodigy of art, if the multiple miracle may be called art, invites a repetition of the facts.  The self-portrait, so long ago laid on a base not able of itself to take paint and so easily dissolvable, stays a pristine entity of rich blends in coloring.  As for the colors, they look to be pigments while they are not.  And in that profoundly beautiful face the eyes, as if they were alive, hold the reflected images of the picture's first viewers.

      These are positive miracles, which have made the Dark Virgin the masterpiece of art and the despair of science.  What about the negative kind that time and again saved the picture from the threat of destruction?  Just as the salty Mexican climate could not corrode or the fumes of candles could not tarnish the delicate portrait during the century I had been left uncovered by a frame, so did the explosion of a bomb at its base fail to do it the slightest harm.  The miraculous failure will serve to exemplify sharply, because of the dramatic circumstances, the protection heaven was according the image of Our Lady of Guadalupe.

      The incident occurred in 1921.  President Plutarco Elias Calles, another Julian the Apostate, had been persecuting the Faith, closing churches, hunting down priests and those who sheltered them, and carrying on his campaign with a fury that provoked the publication of Blood-Drenched Altars.  He had not dared to barricade the Basilica of Guadalupe, to be sure.  But his frustration did not long disturb him.  Let it stay open.  He knew an easier way to disinterest the people from crowding into it from all sections of Mexico. 

      So it was that a hired infidel stepped into the basilica with a large bouquet of flowers in his arms and a devotional look on his face.  He had come at an hour when but few worshippers were present.  Scarcely noticed, he walked down the aisle to the altar, placed the blooms beneath the sacred picture, then left the sanctuary with a smile of malicious joy.  In the vase of roses lay a time bomb.

      It exploded.  In strict accord with the laws of chemistry it went off.  In strict obedience to the scientific timing it blew apart at 11:30 A.M., November 14, 1921.  The concussion shook the building, rattled its thick windows into shattered heaps of debris, terrified the worshippers in attendance.  Close at hand, it jarred loose the bolts of the picture frame, ripped out chunks of marble from the altar, and with such force attacked the iron crucifix which stood on the altar that it fell twisted to the floor.  Yet, contrary to the assurance of science, the explosion did not fulfill its purpose.  It failed.  The painting of Our Lady of Guadalupe above the damaged altar, by a miracle of prevention, hung untouched.  The glass frame showed not so much as a tiny crack.

      The misshapen crucifix of iron, which had stood right beneath the picture to take the full heat of the blast, is now on exhibition in the foyer which leads from the basilica proper to the Blessed Sacrament chapel at the right.  That chapel began to attract more fervent crowds than before.  And long after the regime of the persecutor had ended, the crowds were still coming.  They came to offer reparation for the sacrilege and to thank their Eucharistic Lord for having preserved from such malice their treasured portrait of his mother and their own.  Daily exposition of the Blessed Sacrament became the custom, once the tyrant Calles had gone out of power.  Henry F. Unger writes as an eyewitness:  "There, often with outstretched arms, they poured out their heart to the Eucharistic King.  Clusters of small children hovered around a praying Mexican mother, her eyes riveted on the Host.  Other Mexicans were bringing armfuls of flowers and placing them at the sanctuary rail.."  So, to sum it up, the scheme to empty the Basilica of Guadalupe only succeeded in drawing larger crowds and intensifying their devotion to the adorable Sacrament of the altar.

      The people knew it was her Son who prevented the explosion from demolishing the portrait of the Holy Mother.  They were rather grateful than surprised.  Need the miracle surprise the faithful anywhere?  Jesus submitted Himself to Mary so completely in babyhood to remain her eternal Child and she responded so perfectly that no intimacy between persons, except for that within the Blessed Trinity, can even begin to approach theirs.  The mother who showed the shepherds her infant still holds his endearment.  There is nothing he would not do for her.  His tremendous miracles for her prove it.

      Along with the miracles, the many known conversions at the Marian centers belong to any equitable account.  These, in the broad sense of the term, might be called miracles of grace.  They come of God, to be willingly accepted by the recipients, always.  Yet their bestowal at her shrines, or in circumstances associated with her, indicates that their mediatrix has influenced the divine Giver.  One such, no less noteworthy than that of Alphonse Ratisbonne, may serve to exemplify the same quiet spectacularity of all the others.  It is of contemporary interest.

      The first statue of Our Lady of Fatima was set up in her first shrine, months before that, the sculptor who would make the statue had no intention of doing anything of the kind.  On the contrary, he thought of blowing up the chapel.  With hatred in his heart he hurried out to the Cova da Iria to do just that.  He reached into his satchel for the bomb.  He found his fingers on a rosary instead.

      Surely he himself had not put the rosary there.  William Thomas Walsh suggests that his sister did.  Be that as it may, the rosary was there.  And at the touch of the beads the would-be bomber, getting back something lost from his boyhood, felt more like praying.  The desire to destroy had deserted him.  He did not have the will to execute his evil design.  There had stolen into his heart a tenderness, strange to him, yet the more welcome for having been absent through too many years.

      Repentant, ashamed, the sculptor felt he must make amends.  How?  An idea flashed into his mind and he went looking for Lucia dos Santos, who had not yet gone to the convent.  He prevailed upon her to describe in detail her heavenly Vision.  He wanted desperately to do a statue of that Blessed Lady of the Cova, in reparation.  The months passed slowly in his studio as his handiwork took shape.  In time for the dedicatory ceremony, the artist had his product ready.  While it did not reflect the reality of what Lucia had seen with an accuracy she might have wished, it is sufficient to say that no work of art possibly could.  The statue served its purpose well, stimulating devotion to its heavenly subject.  It made its sculptor happy.  And on that memorable occasion of May 13, 290, none in the long procession of marchers could have stepped along more jauntily than he, as the statue was carried to the Cova and into the chapel that had been spared a loaded bomb.

      But that is only half the story.  The other half of it heightens its memorability.  The chapel almost did not have its doors open to the statue.  For the government determined to close the shrine to the public, had ordered a military regiment to the Cova da Iria.  Accordingly, the first pilgrims to approach the grounds found themselves stopped by a solid line of bayonets.  They did not leave.  They did not try to break through the line.  They simply stood there praying their rosaries aloud.  Their number increased steadily until there were thousands more of them than the soldiers.

      It was a huge turnout from nearby and afar, mostly of peasants, some of them barefoot and in ragged clothes, but all of them peaceably determined.  Their mighty chorus of prayer would give way to a mightier chorus of hymns to Mary and then return to the recitation of the beads.  So the alternating went on, gathering momentum, never tiring, while gradually but ever more numerously the guards found themselves singing and praying with the multitude and in no mood to use their bayonets.  By the time the statue got to the scene, it had an easy access to the chapel.  It met with a unanimous welcome.

      Thus did another threat fail in the history of opposition to Mary and her shrines.  It would be an exaggeration to say that the repentant bomb carrier and the repentant regiment had been coerced.  They had to have some will to accept the grace of their conversion, since heaven does not force its favors against the will.  On the other hand, it would be as gross an understatement to suggest in low key that the mediatrix of their grace showed an interest in them.  It was an intense interest.  Her maternal love reached out to them, softening their hearts, working effectually on their freedom of choice without destroying it.

      Let none of us make the mistake of underestimating her maternal power.  It can produce wonders.  History knows it has worked many a virtual miracle of grace.

      It has one ready to conquer the present rebellion against God and the decencies of man.  When her conditions have been met, Our Lady of Fatima will act.  We have her word that Russia will be converted, and should the Commissars of the time not have been informed of her promised action, they will be awaiting a shock of disillusionment.  Possibly their soldiers or members of the secret police, who secure them in power, will undergo the same change of heart as the armed regiment of the Cova in 1920.  Perhaps the Commissars themselves will undergo it, as once Saul of Tarsus did.

      The atheist tyranny, even when it enslaves yet another country, is moving toward its annihilation.  It has not the power to withstand Our Lady of Fatima when her influence over a chastened humanity will have brought about the answer to centuries of urgent prayer for the unimpeded Kingdom of God here and now, and for the doing of his will on earth as in heaven.  The event, concluding the Fatima story, will have fulfilled its message.  It has been promised.  It but awaits the hour.  Seeing through the turmoil of a war to the finish, Sister Mary Francis of the Poor Clares sings of Mary's triumph:

 

Deep in the very tents of battlesmoke,

Her gentle plot is sprung; and we are doomed

To watch our terrors melt before her gaze.


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